About aspect ratios
An aspect ratio specifies the ratio of width to height. Video and still picture frames have a frame aspect ratio, and the pixels that make up the frame have a pixel aspect ratio (sometimes referred to as PAR). You record video for television in either a 4:3 or 16:9 frame aspect ratio. Additionally, different video recording standards use different pixel aspect ratios.
You set the frame and pixel aspect ratios for a Premiere Pro project when you create it. Once these ratios are set, you cannot change them for that project. You can, however, use assets created with different aspect ratios in that project.
Premiere Pro automatically tries to compensate for the pixel aspect ratio of source files. If an asset still appears distorted, you can manually specify its pixel aspect ratio. Reconcile pixel aspect ratios before reconciling frame aspect ratios, because an incorrect frame aspect ratios can result from a misinterpreted pixel aspect ratio.
Frame aspect ratio describes the ratio of width to height in the dimensions of an image. For example, DV NTSC has a frame aspect ratio of 4:3 (or 4.0 width by 3.0 height). A typical widescreen frame has a frame aspect ratio of 16:9. Many cameras that have a widescreen mode can record using the 16:9 aspect ratio. Many films have been shot using even wider aspect ratios.
When you import clips shot in one frame aspect ratio into a project that uses another frame aspect ratio, you decide how to reconcile the different values. For example, two common techniques are used for showing a 16:9 movie on a 4:3 standard television. You can fit the entire width of the 16:9 movie frame within the 4:3 television frame. This placement leaves black bands above and below the movie frame, called letterboxing. Alternatively, you can fill the 4:3 frame vertically with the entire height of the 16:9 frame. Then, you pan the horizontal position of the 16:9 frame within the narrower 4:3 frame so that important action always remains inside the 4:3 frame. This techniques is called pan & scan. In Premiere Pro, you can implement either technique by using Motion effect properties such as Position and Scale.
A. 16:9 NTSC footage B. DVD player display using original widescreen format on widescreen TV screen C. 16:9 image on a 4:3 TV screen cropped using automatic pan and scan D. 16:9 image on a 4:3 TV screen using automatic letterboxing to reduce overall frame size and display entire image
Pixel aspect ratio describes the ratio of width to height of a single pixel in a frame. Pixel aspect ratios vary because different video systems make various assumptions about the number of pixels required to fill a frame. For example, many computer video standards define a 4:3 aspect ratio frame as 640 pixels wide by 480 pixels high, which results in square pixels. Video standards such as DV NTSC define a 4:3 aspect ratio frame as 720×480 pixels, which results in narrower, rectangular pixels because where more pixels lie within the same frame width. The computer video pixels in this example have a pixel aspect ratio of 1:1 (square). The DV NTSC pixels have a pixel aspect ratio of 0.91 (nonsquare). DV pixels, which are always rectangular, are vertically oriented in systems producing NTSC video and horizontally oriented in systems producing PAL video. Premiere Pro displays clip pixel aspect ratio next to the clip image thumbnail in the Project panel.
If you display rectangular pixels on a square-pixel monitor without alteration, images appear distorted; for example, circles distort into ovals. However, when displayed on a broadcast monitor, the images appear correctly proportioned because broadcast monitors use rectangular pixels. Premiere Pro can display and output clips of various pixel aspect ratios without distortion. Premiere Pro attempts to automatically reconcile them with the pixel aspect ratio of your project.
You could occasionally encounter a distorted clip if Premiere Pro interprets pixel aspect ratio incorrectly. You can correct the distortion of an individual clip by manually specifying the source clip pixel aspect ratio in the Interpret Footage dialog box. You can correct similar misinterpretations of groups of same-size files by editing the file Interpretation Rules.txt.
A. 4:3 square-pixel image displayed on 4:3 square-pixel (computer) monitor B. 4:3 square-pixel image interpreted correctly for display on 4:3 non-square pixel (TV) monitor C. 4:3 square-pixel image interpreted incorrectly for display on 4:3 non-square pixel (TV) monitor
Premiere Pro CS3 and earlier used pixel aspect ratios for standard-definition video formats that ignore the concept of clean aperture. By not accounting for the fact that clean aperture differs from production aperture in standard-definition video, the pixel aspect ratios used by After Effects CS3 and earlier were slightly inaccurate. The incorrect pixel aspect ratios cause some images to appear subtly distorted.
The clean aperture is the portion of the image that is free from artifacts and distortions that appear at the edges of an image. The production aperture is the entire image.
For details about the corrected pixel aspect ratios in Premiere Pro CS4 and later (as well as other applications), see the Todd Kopriva’s Adobe blog post.
Premiere Pro automatically attempts to preserve the frame aspect ratio of imported assets, sometimes changing the pixel aspect ratio, the frame dimensions, or both so that the asset does not appear cropped or distorted when used in a sequence. Some assets contain metadata that allows Premiere Pro to make the calculations automatically and precisely. For assets lacking this metadata, Premiere Pro applies a set of rules to interpret pixel aspect ratio.
When you capture or import NTSC footage with the ATSC frame size of 704×480, the D1 frame size of 720×486, or the DV frame size of 720×480, Premiere Pro automatically sets the pixel aspect ratio for that asset to D1/DV NTSC (0.91). When you capture or import footage with the HD frame size of 1440×1080, Premiere Pro automatically sets the pixel aspect ratio for that file to HD 1080 Anamorphic (1.33). When you capture or import PAL footage with the D1 or DV resolution of 720×576, Premiere Pro automatically sets the pixel aspect ratio for that file to D1/DV PAL (1.094).
For other frame sizes, Premiere Pro assumes that the asset was designed with square pixels and changes the pixel aspect ratio and frame dimensions in a way that preserves the asset image aspect ratio. If the imported asset is distorted, you can change the pixel aspect ratio manually.
When you drag an asset into a sequence, Premiere Pro centers the asset in the program frame by default. Depending on its frame size, the resulting image could be too small or overcropped for the needs of the project. If so, you can change its scale. You can do this manually or have Premiere Pro do it automatically whenever you drag an asset into a sequence.
It is always a good idea to make sure that files are interpreted correctly. You can read asset frame dimensions and pixel aspect ratio near the preview thumbnail and in the Video Info column of the Project panel. You can also find this data in the asset Properties dialog box, the Interpret Footage dialog box, and the Info panel.
The sequence settings preset you choose when you create a sequence sets the frame and pixel aspect ratios for the sequence. You can’t change aspect ratios after you create the sequence, but you can change the pixel aspect ratio that Premiere Pro assumes for individual assets. For example, if a square-pixel asset generated by a graphics or animation program looks distorted in Premiere Pro, you can correct its pixel aspect ratio to make it look right. By ensuring that all files are interpreted correctly, you can combine footage with different ratios in the same project. Then you can generate output that doesn’t distort the resulting images.
When using Photoshop to generate images for use in video projects, it’s best to use the Photoshop preset named for the video format you’ll use. Using the preset ensures that your images are generated with the correct aspect ratio.
Premiere Pro automatically assigns pixel aspect ratios to files according to a file of rules. If a specific type of image is consistently misinterpreted (distorted) when you import it, you can change the relevant rule.
|Pixel aspect ratio||When to use|
|Square pixels||1.0||Footage has a 640×480 or 648×486 frame size, is 1920×1080 HD (not HDV or DVCPRO HD), is 1280×720 HD or HDV, or was exported from an application that doesn’t support nonsquare pixels. This setting can also be appropriate for footage that was transferred from film or for customized projects.|
|D1/DV NTSC||0.91||Footage has a 720×486 or 720×480 frame size, and the desired result is a 4:3 frame aspect ratio. This setting can also be appropriate for footage that was exported from an application that works with nonsquare pixels, such as a 3D animation application.|
|D1/DV NTSC Widescreen||1.21||Footage has a 720×486 or 720×480 frame size, and the desired result is a 16:9 frame aspect ratio.|
|D1/DV PAL||1.09||Footage has a 720×576 frame size, and the desired result is a 4:3 frame aspect ratio.|
|D1/DV PAL Widescreen||1.46||Footage has a 720×576 frame size, and the desired result is a 16:9 frame aspect ratio.|
|Anamorphic 2:1||2.0||Footage was shot using an anamorphic film lens, or it was anamorphically transferred from a film frame with a 2:1 aspect ratio.|
|HDV 1080/DVCPRO HD 720, HD Anamorphic 1080||1.33||Footage has a 1440×1080 or 960×720 frame size, and the desired result is a 16:9 frame aspect ratio.|
|DVCPRO HD 1080||1.5||Footage has a 1280×1080 frame size, and the desired result is a 16:9 frame aspect ratio.|